The Irish traditional lament and the grieving process
Identifieur interne : 000E98 ( Main/Exploration ); précédent : 000E97; suivant : 000E99The Irish traditional lament and the grieving process
Auteurs : Angela Bourke [Irlande (pays)]Source :
- Women's Studies International Forum [ 0277-5395 ] ; 1988.
English descriptors
- KwdEn :
- Teeft :
Abstract
Abstract: “Keening” in English suggests a high-pitched, inarticulate moaning, but the Irish word caoineadh, from which it derives signifies among other things, a highly articulate tradition of women's oral poetry. The lamenting woman led the community in a public display of grief. Acting out in her appearance and behaviour the disorder brought about by death, she was often barefoot and dishevelled. Her caoineadh or lament was a series of breathless utterances of rhymed, rhythmic praise of the dead person (usually a man), and invective against his enemies. In the 20th century Elisabeth Kübler-Ross and others have identified the sequence of emotions which are the necessary components of the grieving process: notably denial, anger, bargaining, sadness, and acceptance. In this paper, texts of caoineadh, mostly from the 18th century, are examined and it is suggested that they embody a disciplined and powerful expression of these stages of mourning.
Url:
DOI: 10.1016/0277-5395(88)90065-9
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">Abstract: “Keening” in English suggests a high-pitched, inarticulate moaning, but the Irish word caoineadh, from which it derives signifies among other things, a highly articulate tradition of women's oral poetry. The lamenting woman led the community in a public display of grief. Acting out in her appearance and behaviour the disorder brought about by death, she was often barefoot and dishevelled. Her caoineadh or lament was a series of breathless utterances of rhymed, rhythmic praise of the dead person (usually a man), and invective against his enemies. In the 20th century Elisabeth Kübler-Ross and others have identified the sequence of emotions which are the necessary components of the grieving process: notably denial, anger, bargaining, sadness, and acceptance. In this paper, texts of caoineadh, mostly from the 18th century, are examined and it is suggested that they embody a disciplined and powerful expression of these stages of mourning.</div>
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